Deliver Me from Nowhere to where? Asbury Park? The Streets of Philadelphia? Just not 2025 with its AI slop.
The first time I listened to Nebraska, I described it as music to slit your wrists to. (I love Nebraska, to be clear; it’s in my top 5 Bruce Springsteen albums.) I felt in the music that a depressed man recorded the album by himself, in his bedroom, on a cassette tape that never had a case. I didn’t need a film to inform me of this.
You bet your butts I saw Springsteen: Deliver Me from Nowhere (2025) in theater, taking my comrades Julia and Max with me. As a Springsteen head, I knew what the plot would be (even if I have yet to read the book it’s based on). However, with all my fan heart, this film was only good as the emotions were far too beat by beat without enough depth.
Jeremy Allen White’s singing didn’t bother me as it did when I watched the trailer. Maybe it was the theater sound or me accepting a movie is a movie. I thought he did a fantastic job with his body mimicking Bruce’s live singing style. But there were moments, especially long contemplative takes — this is a movie about a man who is depressed, so there were many — where I only saw White.
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