Spoilers for Fables’ War and Pieces Tradepaperback #11 by Bill Willingham
I’ve been following the Fables series for a quite a while now. Just never really got around to writing about, except in talking about my love of Snow White. Fables is a story that I like to read in tradepaperback as I always want more of it right away. So please don’t spoil me for any further developments in Fabletown. Continue reading “Four Points on Fables’ War and Pieces”
Because if I reviewed everything I read in-depth, I’d have another full-time job.
I was going to actually review She-Hulk Vol 2 #38 by Peter David. It is the last issue of She-Hulk after all.
Then I saw this:
You know, eventually, I might’ve read another Peter David comic after the Scans_daily debacle. But now I’m pissed.
I’m pissed that Peter David thinks an ableist comment is an acceptable thing to print in a comic. I’m pissed that he think She-Hulk would say something like that. I’m pissed that this made it off an editor’s desk and to print.
There are times when characters are racist, sexist, ableist, and homophobic to serve the text and in a good text, these actions are condemned either by the narrative, plot, or other characters (see such texts as To Kill a Mockingbird). This is not one of those. She-Hulk is not ones of those characters; she’s a highly educated lawyer and a hero, who’s never expressed anything like this before even in moments of weakness when her friends were in peril. When her mother was killed by a mobster, She-Hulk went after him legally. She-Hulk had more grace in February 1980 than in March 2009.
Fail, Peter David. And fail, Marvel, for printing this.
Spoilers for Wolverine: First Class #12 by Fred van Lente and Scott Koblish
This title should really be called Kitty Pryde: First Class as Kitty has been its main character since the beginning. Though Wolverine’s name on the cover sell more comics. This is my biggest and only real complaint with the title, which say a lot given my hypercritical nature and my general blah toward Wolverine.
(Okay, I also have a side complaint to Marvel’s marketing division: Wolverine and Cyclops fight over…Kitty?! as a sub-headline for the preview makes me ill. Seriously, Kitty is a teenager in this series. This actually reads: Two men in their 30s fight over…an underage girl. Think about that.)
I’m sad that Fred van Lente is leaving the title and #12 is his last issue. (Peter David will be picking it up, but I won’t be following.) Though I suppose if one wanted to go out on a high note, issue #12 encapsulates everything awesome about van Lente’s run and gives it an nice, but open-ended cap.
Kitty and Wolverine have been off on (largely) their own adventures as Wolverine trains her to be an X-Man. (These stories take place during Claremont’s famous run of Uncanny where Wolverine as mentor to Kitty first appears.) Wolverine’s interactions with Kitty have always brought out the “human” side of Wolverine and allowed for audience identification with both characters. van Lente is perhaps the only current Marvel writer who I think really knows how to write Wolverine. Too many writers only focus on one aspect of Wolverine’s personality and take that aspect and run it to the extreme. He’s really much more well-rounded than just being an angry Canadian who likes beer, killing, and Jean Grey. (Though he’s that too.) van Lente remembers this.
van Lente also takes the character of Kitty and plays her as a complex teenage girl, who shows hints of the strong leader we all know she grows up to be. Kitty’s training isn’t as harrowing or traumatic as others’ (see Magick, Darwin, or Pixie), but instead it’s fun, thrilling, dangerous, and, above all else, a learning experience. The X-Mansion is a school for mutants, if school included a lesson on how to kick ass or take down a Sentinel. van Lente also steers clear of making Kitty a Mary Sue as a Wolverine fanboy might or Claremont and Whedon did. Or bringing some “nudge, wink” romantic plot to it. It’s so refreshing to see a story about a platonic relationship between a male and female character, even when they’re brought together through life-threatening peril.
Koblish’s art has also been refreshing in that Kitty actually looks like a teenage girl. She’s a little gangely and awkward. But you can always see how determined she is through her face. Continue reading “Goodbye, Wolverine: First Class. You were a good one.”