Comic book reviews for Marvel’s Hercules: Fall of an Avenger #1 by Greg Pak and Fred Van Lente, Greek Tragedy by Paul Tobin, Hercules: Fall of an Avenger #2 by Greg Pak and Fred Van Lente, and Greek Tragedy, Part II by Paul Tobin
Comic book reviews for Marvel’s Incredible Hercules #140 by Greg Pak and Fred Van Lente, Agents of Atlas by Jeff Parker, Incredible Hercules #141 by Greg Pak and Fred Van Lente, and Agents of Atlas by Jeff Parker
Comic book reviews for The Incredible Hulk #604 by Greg Pak, All New Savage She-Hulk by Fred Van Lente, The Incredible Hulk #605 by Greg Pak, All New Savage She-Hulk by Fran Van Lente, The Incredible Hulk #606 by Greg Pak, and The Right Direction by Harrison Wilcox
Comic book reviews for Assault On New Olympus by Greg Pak and Fred Van Lente, Agents of Atlas by Jeff Parker, The Incredible Hercules #138 by Greg Pak and Fred Van Lente, Agents of Atlas by Jeff Parker, The Incredible Hercules #139 by Greg Pak and Fred Van Lente, and Agents of Atlas by Jeff Parker
Comic book reviews for The Incredible Hulk #601 by Greg Pak, All-New Savage She-Hulk backup by Fred Van Lente, The Incredible Hulk #602 by Greg Pak, All-New Savage She-Hulk backup by Fred Van Lente, The Incredible Hulk #603 by Greg Pak, and All-New Savage She-Hulk backup by Fred Van Lente
Spoilers for Wolverine: First Class #12 by Fred van Lente and Scott Koblish
This title should really be called Kitty Pryde: First Class as Kitty has been its main character since the beginning. Though Wolverine’s name on the cover sell more comics. This is my biggest and only real complaint with the title, which say a lot given my hypercritical nature and my general blah toward Wolverine.
(Okay, I also have a side complaint to Marvel’s marketing division: Wolverine and Cyclops fight over…Kitty?! as a sub-headline for the preview makes me ill. Seriously, Kitty is a teenager in this series. This actually reads: Two men in their 30s fight over…an underage girl. Think about that.)
I’m sad that Fred van Lente is leaving the title and #12 is his last issue. (Peter David will be picking it up, but I won’t be following.) Though I suppose if one wanted to go out on a high note, issue #12 encapsulates everything awesome about van Lente’s run and gives it an nice, but open-ended cap.
Kitty and Wolverine have been off on (largely) their own adventures as Wolverine trains her to be an X-Man. (These stories take place during Claremont’s famous run of Uncanny where Wolverine as mentor to Kitty first appears.) Wolverine’s interactions with Kitty have always brought out the “human” side of Wolverine and allowed for audience identification with both characters. van Lente is perhaps the only current Marvel writer who I think really knows how to write Wolverine. Too many writers only focus on one aspect of Wolverine’s personality and take that aspect and run it to the extreme. He’s really much more well-rounded than just being an angry Canadian who likes beer, killing, and Jean Grey. (Though he’s that too.) van Lente remembers this.
van Lente also takes the character of Kitty and plays her as a complex teenage girl, who shows hints of the strong leader we all know she grows up to be. Kitty’s training isn’t as harrowing or traumatic as others’ (see Magick, Darwin, or Pixie), but instead it’s fun, thrilling, dangerous, and, above all else, a learning experience. The X-Mansion is a school for mutants, if school included a lesson on how to kick ass or take down a Sentinel. van Lente also steers clear of making Kitty a Mary Sue as a Wolverine fanboy might or Claremont and Whedon did. Or bringing some “nudge, wink” romantic plot to it. It’s so refreshing to see a story about a platonic relationship between a male and female character, even when they’re brought together through life-threatening peril.
Koblish’s art has also been refreshing in that Kitty actually looks like a teenage girl. She’s a little gangely and awkward. But you can always see how determined she is through her face. Continue reading “Goodbye, Wolverine: First Class. You were a good one.”