
Sensation Comics #16 is both the most offensive and the most entertaining plot that Marston has written in a while. There was a lot of heart-and-soul in this comic. It’s essentially a romantic-comedy with a spy-catching thriller stuck in there too. Think Wonder Woman as a Liam Neeson character catching spies while stuck in 27 Dresses. Or something like that.
The comic starts with Diana receiving a telegram from Etta announcing that she is getting married. Marston spends about half a page with Diana, Steve, and even Colonel Darnell laughing about Etta getting married. That’s right, even Etta’s best friends, whose butts she’s saved again and again, can’t believe anyone would want to marry her.
I mean, who needs enemies when you can have friends like Diana and Steve?
This makes me even more glad that Etta marries Steve. Because seriously, what a bunch of assholes. I hope every night when Steve closes his eyes, he feels guilty for being such a jerk. (Yes, I *know* DC messed with the worlds that the Golden Age stuff is supposed to take place on.) And of course, the only reason Etta sent the telegram is because she wanted Diana there. She even lets her bring Steve along. Continue reading “Wonder Woman Wednesdays: Sensation Comics #16”


Sensation Comics #15 is a very convoluted tale. Mostly, it’s a story about how Diana almost reveals her secret identity to Steve Trevor. I feel like Marston read a Superman comic book about Lois almost finding out about Clark-Superman and thought that Wonder Woman needed that kind of story. 
Just when you thought Wonder Woman couldn’t be more wacky, Sensation Comics #14 is told from the point of view of Abies Balsamea, a fir tree. His pals call him Fir Balsam. And he wants you to know that he and Wonder Woman are friends and that he helped her out.
In spite of my criticisms of William Moulton Marston’s writing of Golden Age Wonder Woman — the racism, the sexism, and how he puts his fetishes on display in comic targeted toward children — I’ve always felt that he had a certain level of craft behind his stories. He cares a lot about developing Wonder Woman’s world. Crazy as they may be, his plots are packed carefully with action and twists. Essentially, early Wonder Woman is a collection of short stories.
